TV Review: Supergirl season 2
The TV adaptation of Supergirl finished its second season,
and its first on the CW instead of CBS.
It’s not easy keeping the plates spinning on these superhero shows
(frankly, The Flash is looking a little peaked after three seasons, but on that
later). Overall, the switch from major network
to weblet seems to have improved the show for the most part, providing the show
with a more welcoming environment to work in.
A
couple of months ago I mentioned a few of the pluses and minuses this
season has wrought. Winn (Jeremy Jordan)
got out of the “friend zone” (by that I mean a character defined solely by his
status as Kara’s platonic friend), not by starting a romantic relationship but
by becoming a tech genius that was only hinted at in season 1, and by being
head of technology at the DEO instead of IT support at Catco. Alex (Chyler Leigh) got a meatier role than
just being Kara’s adopted sister, with a new girlfriend (Floriana Lima) and
more responsibility at the DEO.
The show also added by subtraction, making the role of Kat
Grant (Calista Flockhart) much more effective by sending her to a yurt in Nepal
for the season and only bringing her out at the very end. This not only accommodated losing Flockhart
due to the smaller budget, but also helped shift story lines away from boring
Catco, Inc. in favor of the more interesting DEO. Unfortunately the biggest victim of this was
Jimmy (excuse me) James Olsen (Mechad Brooks), who was so at loose ends he
decided to become a vigilante. The
problem is, who needs a masked vigilante with no super powers when you’ve got
Supergirl?
The show also deserves huge praise for finally finding its
Superman (Tyler Hoechlin). It had to be
tricky finding an actor with the necessary gravitas but at the same time fit in
with the lighter, slightly loopier tine set by Melisa Benoist. Hoechlin looks good in tights, and his Clark
Kent is the best since, well, Dean Cain played the role in the 1990’s.
One of the smaller but ingratiating things this show does is
integrate with the past, casting a former Superman (Dean Cain) as Kara’s
adopted father; a former Supergirl (Helen Slater) as his wife; and a former
Lois Lane (Teri Hatcher) as evil Queen Rhea.
It’s similar to the obvious fondness that The Flash has for the cast of
the 1990 version, with John Wesley Shipp, Amanda Pays and Mark Hamill all
reprising their roles from a show that frankly few people remember.
Supergirl had a few problems over its sophomore season. As noted above, James Olsen got relegated to
the sidelines, and trying to make him relevant as the vigilante Guardian
smacked of desperation. Pairing him with
Winn did provide some nice buddy comedy moments, but the decision that he
wouldn’t be a love interest for Kara was accompanied by the sound of squealing
brakes.
Finding villains that posed a credible threat to the Girl of
Steel was another problem, that the show tried to solve by increasing the
number of types of aliens on Earth. I
thought this made things more confusing, and while I agree with the show’s
obvious tweaking of current US policy towards immigrants, it became
heavy-handed at times.
Probably the most contentious addition was bringing in Chris
Wood as Mon-el of Daxum, the love interest for Kara. He did such a good job projecting vapid
sweetness, it was hard to take him seriously as a potential life partner for
Kara Danvers. Looking back, I have to
say that as annoying as he was on an episode-by-episode basis, they did a great
job of not rushing his development as someone worthy of Supergirl.
There were a few problems with the season finale. Kara staves off a Daxum attack by challenging
Queen Rhea to a mano-a-mano fight, but then the Daxums attack anyway. Lena Luthor devises a way to drive the Daxums
away by filling the atmosphere with lead, which sounds like an environmental disaster
for the humans as well. And after the
lead is released, Mon-el immediately leaves the planet; couldn’t they build an
air-tight chamber at the DEO with a safe atmosphere? Couldn’t Winn whip up some sort of helmet
Mon-el could wear to filter out the lead?
They were too focused on the romance ending to deal with some of the
ways to avoid it ending.
But then, endings are hard.
Consistency is difficult to maintain over a 22-episode season (which is
why so many shows do a 13, or even 10-episode season). The show retained enough of its original
premise to start the season strong, then managed to build up the supporting
cast without diminishing the contribution of Benoist.
All in all, it was a successful move to the CW for
Supergirl. My biggest suggestion: if
they try to do another cross over with the rest of the CW-verse (and the first
attempt picked up the network’s highest ratings ever), try to integrate
Supergirl a little better. The Supergirl
contribution was the last minute of the show, and it was shown again at the start
of The Flash.
Oh, and more musical duets with Benoist and Flash star Grant
Gustin; those kids have chemistry.
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