TV Review: The Flash season 3
When The Flash debuted three years ago, it was a breath of
fresh air. In the aftermath of the
successful super-angsty Christopher Nolan Batman films, as well as the nearly
as angsty Spiderman movies, it was a relief to find a superhero who was
thrilled to have powers and was delighted to casually help strangers without
their knowledge. There was a loose,
jokey (pardon the expression) vibe amongst the cast, and the whole enterprise
was a lot of fun.
Three years in and now the show is as sullen as a Goth
teenager. The Flash, AKA Barry Allen (Grant Gustin) agonizes over creating an
alternative timeline where he was even happier because his parents weren’t
dead, which made things worse in the long run.
Barry’s friend Caitlin Snow (Danielle Panabaker) has metamorphed into a
villain called Killer Frost. His other
friend, Cisco Ramon (Carlos Valdes) has also metaporphed into someone called
Vibe, but isn’t happy about it. His
girlfriend Iris (Candace Patton) was prophesied to be killed at the end of the
season, and said death was replayed at least twice each episode. Season 3 is NOT happy.
About the only consistent bright spot has been Tom Cavanagh,
who at this point has played so many variations on the character of Harrison
Welles that I have lost count. This
season’s iteration was “HR” who was from a parallel dimension and, unlike the
Harrison Welles’ from prior seasons, was not a genius. But unlike the other versions, this one had a
perpetual smile on his face and a drumstick (musical kind, not chicken) in his
hand. Cavanagh’s ability to create totally
different characters from subtle variations in the source material has been
astonishing, and he is without a doubt the MVP of the series.
Like individuals in a time loop, the characters in season 3
keep making the same stupid mistake over and over and over. Someone tries to keep a secret from the
group; the secret threatens the group in ways the person didn’t anticipate; the
secret is divulged and the problem resolved.
Lather, rinse, repeat.
Don’t get me wrong, I still like the show. Gustin and Patton have great chemistry, and
the show is ridiculously clever in creating problems out of alternate time
lines, parallel dimensions, and crossovers with other CW shows (loved the
musical number with Supergirl and The Flash).
But I truly empathize with Iris’s father Joe (Jesse Martin), a cop who
is forever asking the scientists, “So, how do we stop the time wraiths from the
speed force from traveling to a parallel dimension?” I empathize because I was just as confused.
Season’s three “Big Bad” (copyright Buffy the Vampire
Slayer) was the speed god Savitar, which was a stupid concept to begin with. I
mean, for a god he wasn’t very god-like.
The tension in the first half of the season was the secret identity of
Savitar’s acolyte, which (surprise!) turned out to be the new cast member (Tom
Felton), which anyone could have seen coming a mile away. The tension in the second half was could Team
Flash stop Savitar from killing Iris, and again this being network television the
answer was almost assuredly “yes.” So,
there wasn’t a lot of dramatic tension.
But the show can rebound next season. One promising sign is that the
creators/producers seem to be aware of the angst problem. A late season episode had Barry develop
amnesia, and everyone comments on how much cheerier and less angsty he seemed,
which I took as meta-commentary.
And the show does have its imagination going for it, even if
it is creating portals and parallel dimensions.
One highlight this season was the musical episode which reunited Glee
co-stars Gustin and Melissa Benoit from Supergirl. The show takes risks, with a
throw-it-on-the-wall-and-see-what-sticks attitude. When you have that, you can appreciate the
hits and forgive the misses.
Of course, the season ending cliffhanger left things
open. Step one is finding a way to bring
Barry back from the speed force prison; step two is finding yet another way to
bring back Tom Cavanagh. After
that? They have an infinite number of
universes and any number f alternate time lines available to them, so they
should be able to come up with something interesting (and less angsty).
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