Sunday, April 7, 2019

College coaches are a privileged lot


There’s a quote I first heard a few months ago that I haven’t tracked down the source, but I think it explains a lot of what’s going on in this country.  The quote is, “When people of privilege lose their privilege, it feels like oppression.”

You can apply this to so many situations, but I want to talk about college coaches, specifically this quote from UConn women's basketball coach Geno Auriemma:

“The majority of coaches in America are afraid of their players,” Auriemma said, via ESPNW’s Mechelle Voepel. “The NCAA, the athletic directors and society has made them afraid of their players. Every article you read: ‘This guy’s a bully. This woman’s a bully. This guy went over the line. This woman was inappropriate. Yet the players get off scot-free in everything. They can do whatever they want. They don’t like something you say to them, they transfer. Coaches, they have to coach with one hand behind their back. Why? Because some people have abused the role of a coach.”

College coaches have led privileged careers compared to pro coaches, or people in other professions.  If a player didn’t obey your every command, you could threaten to take away his or her scholarship, taking away their ticket to high paying pro jobs AND their ability to get an education.  You could block any student who wanted to transfer to another college because they didn’t fit into the system, or a better player was recruited after them, cutting their playing time.  Auriemma complains that students can transfer, but the reality has been that coaches can tell students and parents that they will make the student into a professional, and then leave the second a better school offers them more money.

Auriemma complains that players can transfer if they don’t like how they are being treated.  Imagine a workplace in the private sector, where if a boss is abusive the workers can quit and go to work at a rival company.  Oh wait, you don’t have to imagine that, it’s how the real world works.  Only in the rarefied world of college coaching can someone berate their underlings without fear that they will take their talents elsewhere.

Auriemma makes nearly $11 million a year to coach the UConn women’s basketball team and given his success one can’t quibble about the price.  But of course, the fact is the school is able to afford to pay him that because the workforce that generates revenue for the school is unpaid.  Oh, they players get a “free” education, but the marginal cost to the school of providing that education is close to zero (and, as I said above, the education gives the school leverage over the player).  Meanwhile, UConn men’s basketball players have complained about going to bed hungry because they couldn’t afford to buy food.  I bet Geno Auriemma never goes to bed hungry.

Not paying players to play is one thing, but the NCAA also forbids students from raising money off their names and their faces, things no one should have to give up their rights to in exchange for an “education” (said education usually lasting one year for basketball players headed to the NBA draft). As the Bard said, “Who steals my purse steals trash; . . . But he that filches from me my good name robs me of that which not enriches him and makes me poor indeed.”  Willie was not quite accurate, as colleges steal their student-athletes names and sell jerseys and paraphernalia featuring the name, enriching them; the students are, however, left poor indeed.

College coaches, Geno Auriemma included, have led a privileged existence.  But that privilege is shrinking.  They can no longer abuse their students (and college basketball players are, technically, students, even if many rarely see the inside of a classroom).  Someday they may have to allow students to make money off their name and their image, depriving coaches of the control they had over scholarships.  Someday they may have to stop treating student-athletes like slaves.

Geno Auriemma seems to think this is a bad thing.  But then he has 11 million reason to believe that.

All the Marvel movies ranked!


All the Marvel Movies Ranked!

Captain America—9.5

The gold standard.  The only Marvel movie with a true character arc (well. . . maybe Iron Man 3).  Also, one of the few with an interesting antagonist.  It wasn’t easy adapting square-jawed Steve Rogers to a modern audience, but Chris Evens found exactly he right tone.  Bonus points for Hayley Atwell as Peggy Carter, the best love interest in the Marvel Cinematic Universe series (with due respect to Pepper Potts).

Avengers—9.2

Maybe this should win based on degree of difficulty, because only the genius of Joss Whedon could have brought together all the threads of the individual heroes together to make a coherent story with character interaction.  It also boasts the best single line of the MCU, when Hulk says to Loki, “Puny God.”

Black Panther—9

Black Panther solves the problem that nags at most of the Marvel films, coming up with an interesting antagonist who has almost a valid point of view.  It’s not surface gloss; the depth that went into constructing Wakanda shows a filmmaker who pays attention to detail (1/3 of Wakandan extras are barefoot in keeping with African culture).  Superior script, direction, and acting; it deserved its Best Picture nomination.

Guardians of the Galaxy—8.5

Easily the biggest surprise of the MCU, the Guardians were grade C heroes that found the right vessel in James Gunn to transition to the silver screen.  Thank heaven Gunn was rehired (after handling his dismissal exactly correctly) for part 3 because, unlike the other MCU components, Guardians relies on his singular vision to work.

Thor: Ragnarok—8.3

Talk about surprises!  After the so-so Thor and the dismal sequel, Ragnarok found its own vessel in Taika Waititi to find the funny in a musclebound, one-eyed Norse deity.  Hemsworth’s charm has always been the main appeal of the Thor films, and pairing him with dour Bruce Banner is pure genius.

Avengers: Infinity War—8.1

I have the nagging feeling I’ve overrated this one, but you can’t fault the spectacle of all of Marvel’s various threads coming to fruition.  This is a victory for spectacle over brains (also, this film makes ZERO sense if you haven’t seen all 20 previous films).

Iron Man 3—8

In which Tony Stark learns a valuable lesson: Iron Man without Tony Stark is an empty suit, but Tony Stark without Iron Man is still pretty awesome.  Probably Downey’s best work in the MCU, and Guy Pearce and Ben Kingsley at least try to make the villains interesting.

Iron Man—7.8

Robert Downey Jr. does a great job introducing the MCU, but Jeff Bridges is way over the top as the baddie, and the whole things runs on a little too long to stick the landing.

Ant Man and The Wasp—7.7

The first Marvel film with a female hero in the title, and also a female antagonist.  Adding the back story of Hank Pym’s wife adds some pathos to the otherwise nutty adventure, and the whole chase sequence with shrinking/enbiggening things is imaginatively done.

Guardians of the Galaxy 2—7.5

A solid entry that treads a little too closely on the heels of its predecessor, but great fun and Kurt Russel, of any age, is a hoot.

Captain America: The Winter Soldier—7.2

Frankly I found this rather dreary, but there are some nice set pieces (the elevator fight with Captain America is possibly the best fight of the MCU) and the ensemble is running on full speed.

Ant Man—7.1

Marvel’s first attempt (sort of) at a mostly comedic take on the superhero genre works, thanks to Paul Rudd’s goofy screen presence and the inestimable spunk of Evangeline Lilly (aka TV’s Lost’s Kate).  The origin story takes a while to get going, and I still don’t buy the whole “he can control ants with his mind” thing, but solid fun.

Doctor Strange—7

The film benefits greatly from the casting of Benedict Cumerbatch as the arrogant title character and some imaginatively used special effects.  It struggles to merge its mystical focus with the scientific basis of most of the other superheroes, and frankly I thought some of the special effects were way too busy.

Captain America: Civil War—6.7

It was at this point the MCU started to fold in upon itself.  A month after seeing this film I couldn’t remember the plot, just the airport scene that introduced Black Panther and the new, slightly improved Spiderman.  The plot, such as it is, is incomprehensible to anyone not immersed in the MCU.

Thor—6.5

Chris Hemsworth’s charm carries most of the baggage in the movie, indifferently directed by Oscar nominated director Kenneth Branaugh.  I never bought Natalie Portman as a legitimate love interest for a demi-god. The best thing I can say about it?  It’s better than Thor 2.

Incredible Hulk—6

Okay, I didn’t see this film, I saw the prior Ang Lee version.  But since Edward Norton was subsequently replaced by Mark Ruffalo, I have no desire to check it out for the sake of completeness.

Spiderman: Homecoming—5

The third Spiderman, Tom Holland, is better than Tobey Maguire, but I still prefer Andrew Garfield’s snark.  I like the casting of Marisa Tomei as Aunt May, as I never understood why Peter Parker’s aunt looked like his grandmother (some critic said, “Aunt May? She looks more like Miss February”).  But I found the plot mundane and Michael Keaton a surprisingly uninteresting antagonist.

Iron Man 2—4

This film had nothing to add to the Iron Man oeuvre; it was like they made it only because they could cast Oscar nominee Mickey Rourke as the villain.

Thor: The Dark World—3

The only good thing about this movie is the ad libbed moment when Thor delicately hangs his Hammer on Jane’s umbrella rack.  Bleak, confusing and ultimately uninteresting.

Avengers: Age of Ultron—2

I adore Joss Whedon.  I revere Joss Whedon.  I did the research, and this is easily the biggest piece of crap Whedon ever wrote/directed.  The villain is concocted out of thin air from Tony Stark doing something incredibly stupid (and is impossible to take seriously), yet no one really blames Stark for the fallout.  The opening party has some fun moments, but otherwise it is an interminable slog.  Dr. Horrible’s Sing a Long Blog is infinitely superior.

Captain Marvel—I haven’t seen it.  So sue me.