Life is full of tradeoffs.
Taking a job for more money may mean less time to spend with your
kids. Buying something that is more
affordable usually means getting something more cheaply made. Going out and having fun means risking
catching a potentially deadly virus.
What to do.
A perennial trade off is that of quality versus
quantity. Let’s take the example of
television programs. Once upon a time, a
“season” of a TV show meant a lot of episodes.
For example, the 1950’s half-hour Western “Have Gun – Will Travel”
produced 39 episodes in its first season.
At this early stage of network television, the “TV season” started in
the Fall and literally ran a new episode every week until it was time for the “summer
rerun season” when networks showed repeats.
As you can imagine, the pace was grueling on the regular actors.
The number of episodes in a “season” slowly went down to
where, in the mid-1960’s, a season was an episode count in the mid-20’s, such
as Star Trek’s third season which produced 24 episodes. The number continued to fall until at some
point an equilibrium set in at 22 episodes, usually an initial order of 11 and
then a “back order” of 10 additional episodes if the show was successful.
But then came a revolution when Premium cable started
producing original shows but only 13 at a time.
Imagine, a season with one-third as many episodes as a show in the 1950’s! But here is where the trade off comes in; the
shows are higher quality, but there are fewer of them. It is a lot easier to maintain high quality
in scripts if, like The Sopranos, you only have to do 13 instead of 22, or
39. This is probably why the last
network show to win an Emmy for Best Dramatic Series was 24 way back in 2006. In 2019, Game of Thrones season 8 won an Emmy
for Best Dramatic Series despite producing only six episodes.
This is a long-winded way of my getting around to reviewing
Season 5 of Lucifer, which was on Fox for three seasons and now resides at
Netflix. Fox gave the show a limited
order for season 1, then showed confidence with an 18-episode order in season 2
and a 26 episode order in season 3. But
now that the show is on Netflix, fans have to comfort themselves with a paltry
10 episodes in season 4 and only 8 in season 5.
But here’s the thing—Lucifer has never been this
consistently good during its run. Don’t
get me wrong, after a mediocre season 1 the show made some wonderful course corrections
and proved to be a source of good-natured blasphemy thereafter. But there were more than a few episodes where
the case of the week seemed a little thin, or the plot twists with lucifer’s
backstory seemed a tad arbitrary, or Lucifer’s sexual puns were more lame than
usual. I have seen the first five
episodes of season 5, and they have been five of the best episodes the show has
produced.
One thing possibly improving the quality is that, before Netflix
belatedly decided on a sixth season, this was supposed to be Lucifer’s swan
song, and as the saying goes there is nothing like the prospect of being executed
at dawn to focus the mind. The show has
shaken up the loose bounds of its formula (Devil solves crimes in Los Angeles)
and is having more fun in how it tells stories.
Just as the show’s best episode, Season
3's "Off the Record," broke with its format, the show is now rising
to new heights reveling in its new-found freedom.
Gratuitous spoiler alert at this point; proceed no further
if you want NO information about Lucifer Season 5 (then why are you reading
this?). Episode 1, “Really Sad Devil
Guy,” adopts a wonderfully executed concept where Lucifer, in Hell, decides to
investigate the same murder as Detective Decker, only Lucifer can only access
the murder victim’s memories. This means
he is recreating experiences that happened about 36 hours before Decker visits
the same locations. The second episode
trots out the long-spoiled revelation that Lucifer’s twin brother, Michael,
will attempt to impersonate him, with star Tom Ellis doing very impressive
double duty (even if his American accent is lame). Episode 3 gets delightfully meta as Lucifer
and Decker investigate the murder of a showrunner for a TV show called Lieutenant
Diablo, about a crime solving Devil in LA with an attractive female partner.
Episode 4, “It Never Ends Well For the Chicken,” goes two
places where it is surprising the show has not gone before: a black-and-white
filmed homage to film noir, and Lucifer telling Trixie a bedtime story (their
relationship is one of my favorite ones since the first episode). The last episode I’ve seen, “Detective
Amenadiel,” teams up Lucifer’s brother with Decker, revealing new sides of him,
and also gives us some much-needed back story for Doctor Linda.
The show has never been better at balancing the needs of a
large and talented cast, with only Aimee Garcia’s Ella getting some short
shrift (made up for by her playing mobster Tommy Stompanato in Lucifer’s
retelling of the story of how he got his ring; you have to see it to
understand). But there are three
episodes remaining, so maybe Ella gets another visit to the nudist colony she
and Lucifer went to in season 4. D. B.
Woodside and Kevin Alejandro both get to flex their comedic muscles, Lesley-Anne
Brandt gets more to do as Mazekean than just glower and kick ass (she sings!),
and the always wonderful Rachel Harris does more than just look exasperated
when Lucifer is in her office.
I still wish season 5 was more than eight measly episodes,
but so far season 5 is looking better than the slightly larger (10 episode) season
4, which was mainly notable for the aforementioned trip to the nudist colony
(of course Lucifer would be enthusiastic, but who would have pegged Ella as his
equally enthusiastic companion; shame about the unfortunately very long [and
strategically placed] hair). Eight great
episodes of Lucifer is better than no episodes, but is it preferable to 20
mostly good episodes?
As Woody Allen said in Love and Death, “It’s not the
quantity of you sexual relations that counts, it’s the quality. On the other hand, if the quantity drops
below once every eight months, I would definitely have it looked into.”
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