I don’t need to tell you that America is a divided place right now. Red states vs. blue states; anthem standers vs. kneelers; smooth peanut butter vs. chunky. But it used to be there was something most of us could agree on, and that is that Star Trek is awesome.
But the Star Trek concept of IDIC (Infinite Diversity in
Infinite Combinations) is being strained by the response of fans to the latest
incarnation in the Trek oeuvre, Star Trek Discovery. CBS just announced
that it was renewing the show for a second season, so the experiment of only
making it available on a streaming platform instead of broadcast television
must have worked. But there is a civil war brewing about the show and the
direction of Star Trek into the future.
I cannot comment on the quality of the show because I won’t
sign up for CBS All Access just to watch a new Star Trek series. I can go
back and re-watch The Original Series, The Next Generation, and Deep Space Nine
on Netflix if I want my Trek fix (sorry, Voyager was never my cup of tea), not
to mention the movies (at least the good, even numbered ones). I did
watch the first episode that was broadcast, and I thought it was
terrible. Of course, it’s hard for me to make an informed decision
because what they showed on CBS was not the first episode, but only the first
half of the first two-part episode. Note to CBS—if you say you are going
to show the first episode on broadcast TV, then show the ENTIRE episode and
don’t end on a cliffhanger and say, “to be continued” on part 2.
Metacritic gives Star Trek Discovery a respectable critical
rating of 72 out of 100. But then I checked the User Rating and saw it
was a measly 4.5 out of 10, worse than mediocre. Looking at the summary,
it was what we in the statistics biz like to call a bimodal distribution—163
negative reviews vs. 82 positive reviews, with all the 10’s and 1’s averaging
out to just under 5. Very few people are on the fence.
I got the sense of the controversy looking at the
comments on the AV Club review of the most recent episode. In
my history of reading reviews at AV Club I had never seen so many comments
taking issue with the position taken by the reviewer, which pointed out the
inconsistencies with the Star Trek universe and questioned the purpose of
setting the series in the Star Trek universe then feeling the need to rebrand
certain aspects (like largely rebooting the Klingons). Comments on AV Club
reviews sometimes have commenters pose slight disagreements with what other
commenters have posted, but rarely have commenters taken the offensive to
unilaterally disagree with the approach the reviewer took in critiquing the
show itself.
The major reason for the split of opinion could be because we are now
into the third generation of Star Trek fandom. The First Age of Star Trek
was the original show and the big screen movie version of Star Trek and its
immediate sequels. These stories were about Captain Kirk, Mr. Spock and
the rest, and were based on a unifyied concept.
The Second Age of Star Trek was the re-birth and rise of the
television franchise, from The Next Generation through Enterprise. These
projects were one step removed from Gene Rodenberry’s original vision, but
close enough to avoid any major issues with continuity. Yes, Klingons now
had forehead ridges, but the best explanation for that was contained in the
Deep Space Nine episode Trials and Tribble-ations (as Worf explained, Klingons
did not discuss the change with outsiders).
The Third Age began with the movie franchise reboot, where
Chris Pine reinterpreted the role of Kirk. One of the clever things done
to avoid the whole consistency “tar baby” was to make everything due to a
temporal anomaly, so that the events that followed would NOT be consistent with
the events of the original TV series. This was taken to a somewhat
tedious extreme by Star Trek Into Darkness, which (spoilers!) was essentially a
remake of Star Trek II: The Wrath of Khan but with events slightly altered due
to changes in the timeline.
So now there are two, maybe three, groups of fans: those
loyal to the original Star Trek series and its characters (these people are
pretty old at this point); those raised on The Next Generation and the
subsequent TV series which tried hard to toe the corporate line; and those who
came aboard with the recent movie reboot who see no reason to drag a 50 year
old TV series into imposing limits on a new science fiction TV franchise.
Thus the split in opinion over how dedicated any new incarnation of Star Trek
has to be to the details of what has come before.
I’ve written before that my theory for the decline in
quality in the Star Trek franchise, starting with Voyager and the later seasons
of Next Generation and Deep Space Nine, was that they started hiring writers
based on their knowledge of Star Trek trivia over having actual writing
talent. The first year of the original series featured scripts by noted
science fiction authors like Theodore Sturgeon, Harlan Ellison, Frederic Brown
and DC Fontana, mainly because in the mid-1960’s there were few science fiction
writers working in television. More recent writers developed episodes
with major plot points based on nuances that were probably not-thought-out
details about Klingon physiology or Ferengi psychology; namely, they were Star
Trek insiders and not graduates of screenwriting classes.
So, we’ll have to agree to disagree. I will continue
to think that Star Trek Discovery is a major misfire, while I watch City on the
Edge of Forever and Our Man Bashir on Netflix. Trek fans younger than me
will eat up Discovery and believe that Star Trek Beyond is the best Star Trek
movie yet. If the Federation and the Klingons can co-exist, I suppose the
various schools of Trek fandom can learn to live together.